H.C. McEntire fejrer udgivelsesdagen for ”Lionheart” med dragende musikvideo til ”Quartz in the Valley”
H.C. McEntire udgiver sit debutalbum ”Lionheart”. Hendes første musikvideo fra albummet er skabt af Alexis Bravos, der også har lavet visuelt arbejde for titeltracket ”How To Dance”, det seneste album fra McEntires band Mount Moriah. ”Quartz in the Valley” er delvist optaget med et håndholdt 16 mm filmkamera, hvilket har givet et smukt og dragende resultat.
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“The video for ”Quartz in the Valley” is an intensely personal view into Heather’s world,” fortæller Bravos. “I wanted to express the magical feeling of being there, watching her perform in her space which features Lou, the wonder dog.”
Se musikvideoen til H.C. McEntires ”Quartz in the Valley” her. |
Sangerinden udtaler om albummet:
”LIONHEART was largely recorded in my living room, and it was mixed in the control room next to my bedroom by my best friend. If you listen close enough, you can probably hear some hound howls, some creaky wooden floors, some trains running their routes. All that’s in there. Some big grins, too, and high fives. A few tears, but the good kind—the kind that let you know you’re doing something hard. Something good and right, even if it’s swallowed you up so deep you forget what you’re making. Some days I felt so small, like the lizard on the front porch. Even smaller, like the spider in the lizard’s sight. But I kept on. I left some holes, too. Asked some friends to help fill them with whatever they were feeling—from Ojai to Atlanta, Lisbon to L.A. It was a joint effort: the yellow roses, the lamb, the dove, the wild dogs, the prickly pear.”
Hør albummet her.
”LIONHEART was largely recorded in my living room, and it was mixed in the control room next to my bedroom by my best friend. If you listen close enough, you can probably hear some hound howls, some creaky wooden floors, some trains running their routes. All that’s in there. Some big grins, too, and high fives. A few tears, but the good kind—the kind that let you know you’re doing something hard. Something good and right, even if it’s swallowed you up so deep you forget what you’re making. Some days I felt so small, like the lizard on the front porch. Even smaller, like the spider in the lizard’s sight. But I kept on. I left some holes, too. Asked some friends to help fill them with whatever they were feeling—from Ojai to Atlanta, Lisbon to L.A. It was a joint effort: the yellow roses, the lamb, the dove, the wild dogs, the prickly pear.”
Hør albummet her.